The first few photos are my polar bear and then the Christmas cards I had printed. Following photos are of the ‘blotted line’ technique, which was used by Andy Warhol. We used inks and watercolour.
Workshops this week are ‘Polar Bears and Penguins’. So there’s an opportunity to use some lovely chilly colours and have fun with different icy effects .
Great time meeting the Bearsted WI Art group this week. The theme was ‘Chilly Landscapes’ and we happened to have chosen probably the last really hot day of Autumn just before Storm Ali struck. We used a limited palette of the watercolours Aureolin Yellow, Alizarin Crimson, Ultramarine Blue and Burnt Sienna. We mixed a cool, dark, blue grey for the trees and shrubbery .We dropped in Sepia Acrylic ink into the wet washes and carefully etched some lines for fine branches with cocktail sticks. I managed a very fast demo of printing leaves with white acrylic paint , which once dry can be over-glazed with diluted acrylic paint in golds or deep reds or cool blues.
I painted this just before Medway Open Studios as a commission. I had painted another piece but was sure the customer would prefer this one. As it turned out they really liked the first painting. This one sold a few days later in the final couple of hours of Medway Open Studios . It was a good week in the end, slow to start but the Wednesday was really busy (surprising) and the final weekend became quite hectic. Thank you those who came to browse, chat and buy paintings and cards.
A workshop morning: Always a great idea to get out and make drawings and notes in any medium that you can handle. Pen and pencil are great, especially the cheap pens that one can blend with a waterbrush. We used pastels and the ‘developed the sketch’ back in the studio. It was fun. It’s still quite muggy now but no excuse not to get out there. I just don’t do it enough. It really feeds the mind. It helps us build a ‘visual vocabulary’ which is laid down in our brains. Working from direct observation is always surprising to, things take on shapes that one might not draw if working from the imagination back in the studio. It’s good to take photographs as you work outside too as the light changes EVERYTHING in seconds.